For brands, agencies, and designers. I work as the still photographer within larger creative teams, collaborating with producers, art directors, and creative directors to bring an established vision to life. On these productions, my focus is precise execution and consistency, delivering images that align seamlessly with the concept and carry impact across the intended output platforms.
I cover large-scale events such as tradeshows, concerts, and televised sporting events. My focus is on capturing the energy, scale, and organic personalities of these productions — from brand activations and keynote presentations to live performances and media-driven experiences. Past work includes major events like Oakley’s 50th Anniversary celebration, where speed and storytelling were essential to delivering hundreds of polished images overnight for immediate use across media outlets and social platforms.
I enjoy shooting products in a studio environment. My experience includes footwear, apparel, and gear for brands such as Adidas, Smith Optics, Vans, and Benchmade Knives. Though not always necessary, it's a bonus to work with professional stylists so I can focus fully on the light and composition. In addition to digital, I also shoot 35mm and medium format film in studio when a project calls for an augmented style or texture.
Headshots, executive portraits, team photos. Tailored for individuals, companies, and creative professionals. Recent examples include staff portraits for Pacific Ironclad and MicroPak, both requiring on-site studio setups for maximum efficiency. Alternatively, I can shoot outdoors on medium format film when a more natural style fits the brand.
I photograph interiors and architecture for designers, builders, and architects, and occasionally for realtors seeking elevated imagery for their listings. My goal is always to represent the true feeling of a space, opting for naturalistic renderings and augmenting light when necessary. Past projects include work for Cement Elegance, Dune Custom Homes, and most recently the Frederick Hart House, a uniquely complex and rewarding assignment that combined historical context with modern presentation.
Documentary-style storytelling that complements campaigns. I take on editorial projects ranging from short-form to long-form, focusing on telling stories through images. This is old-school, boots-on-the-ground photography — often with small crews, or none at all — simply capturing the story as it unfolds.
Ready to start a project? Contact me to discuss your project's needs:
Thank you!